Writing Here:

duckrabbit
David White
Ciara
John Macpherson
Peter
Sara Trula
Carl Pendle
Joni Karanka
Mike Lusmore
Julian Lass

What they say about duckrabbit:

'One of the hazards of publishing a well-known photojournalism blog - getting multimedia like yours, where the photos are both powerful and moving, and I end up in tears at my desk.'

Alan Taylor, Boston Big Picture)

'David White's multimedia work with duckrabbit is very exciting.'

Kate Edwards (Guardian Magazine Picture Editor)

'I am a fan of duckrabbit. I am not a fan because I agree with everything Ben has to say, but because he says it without frills and then will spend the time necessary to engage the consequent discussions. Such commitment is a priceless commodity.'

Prison Photography

'I met one of them at an academic conference in the summer. He was the sanest person there, but sure enough by damn gadnabbit ruffled more than a few fluffed up peacock feathers.'

The Photography Pages

'If you haven't seen the duckrabbit blog on multimedia you should.'

Stephen Alvarez

'duckrabbit has done another jaw-dropping job with Condition Critical, a highly commendable and important project for Medecins Sans Frontiers.'

The Travel Photographer

Feeling Blue?

duckrabbit’s first multimedia storytelling Summer workshop finished late last Sunday.  It was a cracker. Hopefully I’ll be able to put up the stories in the next few weeks (when I come back off a well deserved holiday in France) but in the meantime here’ s a couple of pics by freelance journalist Emiel Elgersma who came from Holland for the training.

Emiel isn’t a professional photographer but I was really impressed by his work. His team focused their story on an old blues guitarist, Chick Young, who incredibly has been on the road for fifty years, which might explain why he has had five wives.

The workshop was centred around Birmingham’s fabulous International Jazz festival.  duckrabbit would like to thank festival Director Jim Simpson for helping us out.

(C) Emiel Elgersma

(c) Emiel Elgersma

(C) Emiel Elgersma

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