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David White
Ciara
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Peter
Sara Trula
Carl Pendle
Joni Karanka
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Julian Lass

What they say about duckrabbit:

'One of the hazards of publishing a well-known photojournalism blog - getting multimedia like yours, where the photos are both powerful and moving, and I end up in tears at my desk.'

Alan Taylor, Boston Big Picture)

'David White's multimedia work with duckrabbit is very exciting.'

Kate Edwards (Guardian Magazine Picture Editor)

'I am a fan of duckrabbit. I am not a fan because I agree with everything Ben has to say, but because he says it without frills and then will spend the time necessary to engage the consequent discussions. Such commitment is a priceless commodity.'

Prison Photography

'I met one of them at an academic conference in the summer. He was the sanest person there, but sure enough by damn gadnabbit ruffled more than a few fluffed up peacock feathers.'

The Photography Pages

'If you haven't seen the duckrabbit blog on multimedia you should.'

Stephen Alvarez

'duckrabbit has done another jaw-dropping job with Condition Critical, a highly commendable and important project for Medecins Sans Frontiers.'

The Travel Photographer

Charles Moore: I fight with my camera (watch this, please)

Charles Moore is the legendary Montgomery photojournalist whose coverage of the Civil Rights era produced some of the most famous shots in the world (the dogs and fire hoses in Birmingham, the Selma Bridge, and Martin Luther King’s arrest in Montgomery, among many others.) His photographs are credited with helping to quicken the passage of the Civil Rights Act of 1964. The noted historian, Arthur Schlesinger, Jr. said that Moore’s photographs transformed the national mood and made the legislation not just necessary, but possible. This is his story.

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Related posts:

  1. Charles Moore on the BBC
  2. Photographers…fight for your moral rights. That means you.
  3. Documenting courage – Stephen Ferry and Human Rights Watch

3 comments to Charles Moore (rip): I fight with my camera (watch this, please)

  • Charles Moore was a wonderful mentor and a dear friend. His work inspired me to become a photojournalist. Through his images of the civil rights movement, I understood the power of photojournalism. He will be dearly missed.

    Charles guided me through my years documenting ‘Passing the Torch’, a look into the modern-day Ku Klux Klan. His advice was welcome to a young photojournalist beginning what would become a 12 year project. Over the years, I had many conversations and visits with Charles. From the beginning of our friendship, I had a great appreciation for the sacrifices he made and the risks he took to document the movement.

    Charles was passionate about his work. May our youth understand and appreciate what he did to secure the freedoms they have today. The world is truly a better place because of the work of Charles Moore. May he rest in peace.

    James Edward Bates
    http://www.KKKproject.com

  • just watched this – it’s beautiful. thanks

  • Amazing, as Ciara says, beautiful. What a heart.