Writing Here:

duckrabbit
David White
Ciara
John Macpherson
Peter
Sara Trula
Carl Pendle
Joni Karanka
Mike Lusmore
Julian Lass

What they say about duckrabbit:

'One of the hazards of publishing a well-known photojournalism blog - getting multimedia like yours, where the photos are both powerful and moving, and I end up in tears at my desk.'

Alan Taylor, Boston Big Picture)

'David White's multimedia work with duckrabbit is very exciting.'

Kate Edwards (Guardian Magazine Picture Editor)

'I am a fan of duckrabbit. I am not a fan because I agree with everything Ben has to say, but because he says it without frills and then will spend the time necessary to engage the consequent discussions. Such commitment is a priceless commodity.'

Prison Photography

'I met one of them at an academic conference in the summer. He was the sanest person there, but sure enough by damn gadnabbit ruffled more than a few fluffed up peacock feathers.'

The Photography Pages

'If you haven't seen the duckrabbit blog on multimedia you should.'

Stephen Alvarez

'duckrabbit has done another jaw-dropping job with Condition Critical, a highly commendable and important project for Medecins Sans Frontiers.'

The Travel Photographer

“If you can smell the street by looking at the photo,

then its a street photo.”

duckrabbit was blown away by the Bruce Gilden audio slideshow that I featured in a post earlier this week.

I was getting a feeling from his photographs that suggested a real antagonism between himself and the people he was photographing.  To me it appeared that he was in some way able to conjure the underlying emotions of that person to the surface. There’s a chemistry and depth there that I’m not used to when looking at photographs. Its like Gilden has closed the distance between the viewer and those being photographed. The detachment is gone and replaced with something very raw.

Good journalism isn’t always observational, its often based on intervention. Think about how an interviewer will probe an interviewee. When Gilden talks about ‘ethics’, he is talking tongue firmly in cheek. He’s saying that the photographers ego is always there, one way or another, so to criticize him for the way he works it is to criticise all photographers. Personally I find a real honesty in his approach. He’s confrontational because he doesn’t know any other way and because it often reveals something that we wouldn’t otherwise see. His photographs don’t hide the fact that they are sometimes an intrusion on peoples lives.

He’s taken the art out of photography and replaced it with startled and numb humanity. He’s just not interested in beauty.

I suspect this video of Gilden doesn’t do a very good job of illustrating his work, but it certainly made me understand a little deeper his approach.  Aside from that it’s very, very entertaining.

Gilden as a person doesn’t demand you take his work seriously, but his work does.

UPDATE:

The great Stan Banos Adds:

He may not be interested in beauty per se, but how many photographers achieve this…

duckrabbit Answers:

None? No doubt this picture goes well beyond ‘beauty’.

picture-31

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1 comment to “If you can smell the street by looking at the photo,