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duckrabbit
David White
Ciara
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Peter
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Carl Pendle
Joni Karanka
Mike Lusmore
Julian Lass

What they say about duckrabbit:

'One of the hazards of publishing a well-known photojournalism blog - getting multimedia like yours, where the photos are both powerful and moving, and I end up in tears at my desk.'

Alan Taylor, Boston Big Picture)

'David White's multimedia work with duckrabbit is very exciting.'

Kate Edwards (Guardian Magazine Picture Editor)

'I am a fan of duckrabbit. I am not a fan because I agree with everything Ben has to say, but because he says it without frills and then will spend the time necessary to engage the consequent discussions. Such commitment is a priceless commodity.'

Prison Photography

'I met one of them at an academic conference in the summer. He was the sanest person there, but sure enough by damn gadnabbit ruffled more than a few fluffed up peacock feathers.'

The Photography Pages

'If you haven't seen the duckrabbit blog on multimedia you should.'

Stephen Alvarez

'duckrabbit has done another jaw-dropping job with Condition Critical, a highly commendable and important project for Medecins Sans Frontiers.'

The Travel Photographer

It ain’t just black and white baby …

Well that’s proof for me.

The Guardian is running an exclusive set of photos by Zalmai

‘Exclusive photography by Zalma?Ø of the Nakivale refugee camp in Uganda. The settlement hosts 34,000 refugees mainly from the Democratic Republic of the Congo, Rwanda, Somalia, Burundi, Ethiopia and Eritrea. It receives all new arrivals coming to Uganda from Congo.’

The photos are in black and white.

Frankly, I know I keep banging on about it, but what is it about this most colorful of continents that every Tom, Dick and Harry with a lens has to shoot it in black and white, has to bring another black and white perspective to a continent rife with contradictions and contrasts?

On his website Zalmai himself insinuates that black and white is the color of despair (the opposite of hope) when talking about photos he took of his homeland Afghanistan:

“I felt that now, after such a long time, there was hope again for Afghanistan. It seemed to me that colours were returning and that they would be those of a peaceful country. And so I set out to find this hope, with ‚Äî for the first time ‚Äî colour film in my camera.”

Along with the black and white photography often goes an imparted sense of an African culture of dependency and despair, which is a myth. The same myth that would see do gooders contain tribes people¬† in a ghetto of their often cruel and sadistic ways, protected from the the evil influence of modernity, where we drive cars and educate our children and let women go about their business with their clitoris’ intact.

A little voice in my head says let it go,

but not too many months ago I was sat in a little radio station in Eldoret Kenya, training some young journalists who had just seen their town turn to flames, witnessed murder spread like the wind, and yet even they kept asking me why they only saw despairing pictures of Africa. The truth is, I told them, whilst the killing goes on, that’s the story they’ll keep telling, that’s the story they’ll keep printing.

Wherever you go, whoever is with you, whatever you see and whatever is said,

it ain’t just black and white

baby.

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Related posts:

  1. This is how David White explained digital black and white
  2. More black people jailed in England and Wales proportionally than in US
  3. Poverty’s not so black and white?

1 comment to It ain’t just black and white baby …

  • Val

    Well said Baby… it talks to me… I like going about my business with my clitoris intact…
    can’t view the pics from your site though…