Writing Here:

duckrabbit
David White
Ciara
John Macpherson
Peter
Sara Trula
Carl Pendle
Joni Karanka
Mike Lusmore
Julian Lass

What they say about duckrabbit:

'One of the hazards of publishing a well-known photojournalism blog - getting multimedia like yours, where the photos are both powerful and moving, and I end up in tears at my desk.'

Alan Taylor, Boston Big Picture)

'David White's multimedia work with duckrabbit is very exciting.'

Kate Edwards (Guardian Magazine Picture Editor)

'I am a fan of duckrabbit. I am not a fan because I agree with everything Ben has to say, but because he says it without frills and then will spend the time necessary to engage the consequent discussions. Such commitment is a priceless commodity.'

Prison Photography

'I met one of them at an academic conference in the summer. He was the sanest person there, but sure enough by damn gadnabbit ruffled more than a few fluffed up peacock feathers.'

The Photography Pages

'If you haven't seen the duckrabbit blog on multimedia you should.'

Stephen Alvarez

'duckrabbit has done another jaw-dropping job with Condition Critical, a highly commendable and important project for Medecins Sans Frontiers.'

The Travel Photographer

just don’t say I didn’t black and white you …

Yesterday on duckrabbit I alluded to the fact that I sometimes wish we saw more color photos of Africa, particularly when we see images of conflict.¬† Someone from Australia wrote to me saying ‘who gives a damn what the pictures are shot in, its the message that counts’.

I completely agree, that’s why its important how a photo is shot, because it can affect the message so dramatically.

Actually I think you’ll find almost all of us care about the way we, or our people are portrayed; Africans are no exception to this.

Last night’s PANORAMA (the BBC’s leading TV Current Affairs stand) was an attempt to explore why so much aid to developing countries misfires?¬† Interestingly the opening sequence featured this shot:

The effect of the film turning black and white speaks to me of poverty. These people are from a place apart.

Contrast that with the color shot of the same scene:

Immediately the tone, the feel, the impression on the viewer has changed. The man in the photograph is wearing an Arsenal Football shirt, recognizable by its color.  We have something in common, we can connect, we are a part of the same world.

Of course there is nothing wrong with black and white representations of Africa, nothing at all. Its just the cumulative effect can have a negative impact on the way we connect with the people on that continent. To me that’s important.

Agree?

p.s. just in case you were wondering, the reporter in the film isn’t a cow!

Spread the word
  • Twitter
  • Facebook
  • Digg
  • del.icio.us
  • Google Bookmarks

Related posts:

  1. This is how David White explained digital black and white
  2. Poverty’s not so black and white?
  3. It ain’t just black and white baby …

2 comments to just don’t say I didn’t black and white you …