Writing Here:

duckrabbit
David White
Ciara
John Macpherson
Peter
Sara Trula
Carl Pendle
Joni Karanka
Mike Lusmore
Julian Lass

What they say about duckrabbit:

'One of the hazards of publishing a well-known photojournalism blog - getting multimedia like yours, where the photos are both powerful and moving, and I end up in tears at my desk.'

Alan Taylor, Boston Big Picture)

'David White's multimedia work with duckrabbit is very exciting.'

Kate Edwards (Guardian Magazine Picture Editor)

'I am a fan of duckrabbit. I am not a fan because I agree with everything Ben has to say, but because he says it without frills and then will spend the time necessary to engage the consequent discussions. Such commitment is a priceless commodity.'

Prison Photography

'I met one of them at an academic conference in the summer. He was the sanest person there, but sure enough by damn gadnabbit ruffled more than a few fluffed up peacock feathers.'

The Photography Pages

'If you haven't seen the duckrabbit blog on multimedia you should.'

Stephen Alvarez

'duckrabbit has done another jaw-dropping job with Condition Critical, a highly commendable and important project for Medecins Sans Frontiers.'

The Travel Photographer

Nothing can kill your belief in justice like a trip down the Congo. …

In Africa the Congo has become synonymous with suffering.¬† Generation after generation screwed by European plunderers and African dictators alike.¬†¬† Its a cesspit of selfish foreign policy, not least the World Bank and the CIA, who historically stuffed juggernauts of dollar filled brown paper bags down Mobutu’s insatiable pockets.

Few journalists have been as committed to sharing the horror with the rest of the world as Marcus Bleasdale.  Its a mighty kick in the balls of cynicism that Bleasdale has continued to believe that anyone has been listening. It turns out they have.

Media Storm’s ‘Rape of a Nation‘ brings together Bleasdale’s photos to devastating effect.

But certain aspects of this film leave me disappointed.

Its Bleasdale’s photos and their poignant subjects that should be the star of this film, not his face. We don’t need to see Bleasdale to believe him.¬† His voice is full of compassion, but the delivery feels scripted and besides Bleasdale the brilliant photographer would never have shot himself that way. He stands for something else.

One other thing.

I watched this film with an African friend, he wanted to know where are the Congolese voices?

Victims have voices, voices that should be heard. Photographers press buttons that make machines go click.

Together they can change the world. Bleasdale clearly believes so.

Go Marcus go.

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Related posts:

  1. Multimedia -Sexual Warfare, Rape in the Democratic Republic of Congo
  2. But can I use my iPhone?
  3. My heart is in the Congo …

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